Screening from Series A Weekend with Guy Maddin

The Green Fog with Guy Maddin

$5

Sun, Jul 12, 2026

Jul12 GREEN FOG WeekendWith5 S

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More in Series

Careful in 4K with Guy Maddin
Special Guest

Screenings

Careful in 4K with Guy Maddin

US restoration premiere

In person: director Guy Maddin and filmmaker and author Sandi Tan

4K DCP

My Winnipeg in 35mm with Guy Maddin
Special Guest

Screenings

My Winnipeg in 35mm with Guy Maddin

Commissioned as a documentary about the director’s prairie hometown, My Winnipeg proceeds from the simple premise that a city is nothing without its ghosts: the mass of memories, legends and fictions that accumulate in any place inhabited by human beings. My Winnipeg is a film about the dream life of a city, a para-documentary about a parallel, phantasmagorical, invisible Winnipeg; it is a séance, a channeling of spirits through the medium of cinema, an exorcism of personal and collective history, as well as a memoir of one soul’s desperate final attempt at an escape from the city and its ghosts. —Tyler Prozeniuk, POV Magazine

35mm

The Saddest Music in the World with Guy Maddin
Special Guest

Screenings

The Saddest Music in the World with Guy Maddin

Guy Maddin’s The Saddest Music in the World exists in a time and place we have never seen before, although it claims to be set in Winnipeg in 1933. The city, we learn, has been chosen by the London Times, for the fourth year in a row, as “the world capital of sorrow.” Here Lady Port-Huntley (Isabella Rossellini) has summoned entries for a contest which will award $25,000 “in Depression Era dollars” to the performer of the saddest music. The Canadian filmmaker has devised a style that evokes old films from an alternate timeline; The Saddest Music is not silent and not entirely in black-and-white, but it looks like a long-lost classic from decades ago, grainy and sometimes faded; he shoots on 8mm film and video and blows it up to look like a memory from cinema’s distant past…You have never seen a film like this before, unless you have seen other films by Guy Maddin. —Roger Ebert, Chicago Sun-Times

DCP