Screening from Series Branch Selects
My Fair Lady in 4K
In person: Academy Governor Gerry Quist
Selected by the Makeup Artists and Hairstylists Branch
Starts at $5
Wed, Apr 1, 2026

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Conversations
Women at the Oscars: Milestones and Looking Forward
Join us in conversation with Women in Film Deputy Director Maikiko James and Alliance of Women Directors board member and Events Director Sacha Smith as they reflect on the history of women nominees and winners at the Oscars. The wide-ranging talk covers the significance of women being recognized in male-dominated categories; milestone moments for women at the ceremony; what changes need to be made as the Academy approaches its 100th Oscars ceremony; and more.
Visitors are encouraged to explore the Stories of Cinema: Oscars gallery before or after the program.

In-Gallery
The Awards Afterglow Tour
Join our museum educators as they highlight the best of the Academy Awards History gallery.

Screenings
Gentlemen Prefer Blondes
In this 1953 musical comedy adapted from Anita Loos’s searingly funny 1925 novella—which also spawned a now-lost silent film in 1928 and a smash Broadway production in 1949—showgirl Lorelei (Marilyn Monroe) is resplendent in beautiful gowns, most notably in the pink satin dress designed by Travilla during the now-classic number “Diamonds Are a Girl’s Best Friend.” Lorelei is seen throughout the picture in jewel tones and literal jewels, carefully selected to play up the lush Technicolor cinematography lensed by Harry J. Wild. Both effervescent and timeless, this witty gem showcases Monroe’s brilliant comic timing as well as her vocal chops. Premiering in the middle of the actress’s career and released the same year as Niagara and How to Marry a Millionaire, Howard Hawks’s film helped to plant Monroe in the hearts of the American public, making her one of the most famous people in the US.
The pink satin gown worn in Gentlemen Prefer Blondes is on view in Marilyn Monroe: Hollywood Icon, located on Level 3 in the Rolex Gallery, beginning May 31, 2026.
Programmed and note by K.J. Relth-Miller.
DCP
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Screenings
The English Patient in 35mm
In person: Academy Governor Hannah Minghella and actor/filmmaker Max Minghella
Selected by the Executives Branch
35mm

Screenings
La La Land in 35mm
In person: choreographer Mandy Moore
Selected by the Production and Technology Branch
35mm

Screenings
An Evening of Short Films from Asian American Filmmakers
The Academy is celebrating Asian American, Native American, and Pacific Islander Heritage month with this selection of short films featuring Asian American filmmakers and stories. The evening includes two animated films, Ishu Patel’s Oscar-nominated Bead Game (1977), and Soar (2014), from filmmaker Alyce Tzue. Arthur Dong’s Oscar-nominated documentary short, Sewing Woman (1982), tells the life story of the filmmaker’s mother, while Sean Wang (Dìdi) was nominated for his documentary Nai Nai & Wài Pó (2023), depicting the close friendship of his elderly grandmothers. Jon M. Chu (Wicked, 2024) won a DGA Student Film Award for his musical short Gwai Lo: The Little Foreigner (2002). Filmmaker Andrew Ahn (Fire Island, 2022) made his short film Dol (First Birthday, 2011) partly as a way of coming out to his parents. Masami Kawai’s Nami (2015) depicts a day in the life of a grieving widow in her journey across Los Angeles. In Amrita Singh’s Winning in America (2021), a teenage girl faces the challenges of a spelling bee and her coach father.

Screenings
Terminator 2: Judgment Day in 4K
In person: visual effects supervisor Dennis Muren and special effects creator Shane Mahan
4K DCP





