Screening from Series Branch Selects
Fight Club in 4K
In person: entertainment marketing executive Steve Siskind and Academy Governor David Dinerstein
Selected by the Marketing and Public Relations Branch
Starts at $5
Wed, Apr 8, 2026

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Screenings
The Taking of Pelham One Two Three in 35mm
Four armed men hijack a subway car on a sweltering Manhattan day in this witty thriller adapted by Peter Stone (Charade, 1963) from the bestseller by John Godey. Walter Matthau is the cynical transit cop who must negotiate with the hostage-takers, led by a subtly menacing Robert Shaw as an ex-mercenary.
Expertly directed by Joseph Sargent (Colossus: The Forbin Project, 1970), this classic from the Fun City era of New York features gritty wide-screen cinematography by five-time Academy Award nominee and Honorary Award winner Owen Roizman (The French Connection, 1971) and a brassy and percussive score by Oscar winner David Shire (Norma Rae, 1979).
35mm

Screenings
Midnight Cowboy in 4K
Director John Schlesinger’s film version of James Leo Herlihy’s novel about two unlikely friends—a would-be gigolo and a petty hustler—in the seedier side of 1960s Manhattan was a breakthrough in American cinema’s treatment of previously taboo subject matter.
Best Actor nominations were earned by Dustin Hoffman as the ailing “Ratso” Rizzo and Jon Voight in a star-making turn as Joe Buck, with supporting actress nominee Sylvia Miles among the impressive cast assembled by Schlesinger and pioneering, uncredited casting director Marion Dougherty. The film earned Oscars for Best Picture (Jerome Hellman, producer), Schlesinger’s direction, and Waldo Salt’s screenplay.
4K DCP
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La La Land in 35mm
In person: choreographer Mandy Moore, music supervisor Steven Gizicki and stunt coordinator Mark Kubr
Selected by the Production and Technology Branch
35mm

Screenings
An Evening of Short Films from Asian American Filmmakers
The Academy is celebrating Asian American, Native Hawaiian, and Pacific Islander Heritage month with this selection of short films featuring Asian American filmmakers and stories. The evening includes two animated films, Ishu Patel’s Oscar-nominated Bead Game (1977), and Soar (2014), from filmmaker Alyce Tzue. Arthur Dong’s Oscar-nominated documentary short, Sewing Woman (1982), tells the life story of the filmmaker’s mother, while Sean Wang (Dìdi) was nominated for his documentary Nai Nai & Wài Pó (2023), depicting the close friendship of his elderly grandmothers. Jon M. Chu (Wicked, 2024) won a DGA Student Film Award for his musical short Gwai Lo: The Little Foreigner (2002). Filmmaker Andrew Ahn (Fire Island, 2022) made his short film Dol (First Birthday, 2011) partly as a way of coming out to his parents. Masami Kawai’s Nami (2015) depicts a day in the life of a grieving widow in her journey across Los Angeles. In Amrita Singh’s Winning in America (2021), a teenage girl faces the challenges of a spelling bee and her coach father.

Screenings
Terminator 2: Judgment Day in 4K
In person: visual effects supervisor Dennis Muren and special effects creator Shane Mahan
Selected by the Visual Effects Branch
4K DCP


