THE TONG WARS 

Ever since the Chinese began arriving in America in the 1800s, racist paranoia has long colored Chinatowns as exotic dens of vice and violence. The two films here, produced six decades apart, both illustrate Hollywood's interminable obsession with tong wars and also point out the Chinese American community's resistance.
 

The Tong-Man 

Japan-born silent screen idol Sessue Hayakawa produced and starred as the titular Tong-Man. Ostensibly a love story set in San Francisco Chinatown, the film’s infusion of lurid hatchet murders and opium tong wars sparked the first legal action known to be filed by the Chinese American community against Hollywood’s depiction of the Chinese. The effort failed, and instead created free publicity and soaring box office receipts. Ironically, the film was supposed to be Hayakawa’s path away from racialized Hollywood typecasting. 

Year of the Dragon 

With a screenplay co-written by Oliver Stone and director Michael Cimino, this violent vision of 1980s New York Chinatown gang wars triggered nationwide protests by the Asian American community for its racist and sexist portrayals. Bowing to pressure, distributors added a disclaimer denying any intent to denigrate Asian Americans. No yellowfaced white actors were used, but Asian American cast members were caught in a controversial crossfire. The film, ultimately, was a box-office flop. 

Make It Dinner and a Movie

Fanny's Restaurant & Café

All guests who present a ticket for a film screening, Tuesday through Saturday (and the first Sunday of every month), receive 10% off all food and non-alcoholic beverages at Fanny's. Discount only applicable on the same day as the screening and cannot be redeemed for another screening or date. Dinner reservations can be made on OpenTable or Resy.