Screening from Series Branch Selects
Seven in 4K
In person: production designer Arthur Max, set decorator Clay Griffith
Selected by the Production Design Branch
Starts at $5
Wed, May 6, 2026

Know Before You Go
Plan your Visit
Theater Policies
Accessibility
Related Events

Screenings
Black Sunday in 35mm
John Frankenheimer (The Manchurian Candidate, 1962) directed this epic international thriller based on the debut novel by Thomas Harris, creator of Hannibal Lecter. Robert Shaw, in a rare and welcome heroic leading role, is a world-weary Mossad agent on the trail of a Black September terrorist (Marthe Keller) and her unstable partner (Bruce Dern) planning an unthinkable crime on US soil.
John Williams’s score adds to the pulse-pounding excitement, and the screenplay by Ernest Lehman, Kenneth Ross, and Ivan Moffat gives the characters on both sides of the conflict their due.
35mm

Screenings
The Hidden Room (aka Obsession)
A London psychiatrist (Robert Newton, Around the World in 80 Days, 1956) smuggles acid from work daily to a blitzed building, with the aim of killing and dissolving the body of his wife’s American lover (Phil Brown, best known as Uncle Owen in Star Wars Episode IV: A New Hope, 1977). Featuring a stirring score by Italian composer Nino Rota (The Godfather, 1972), this slow-burn relationship drama turns into a thrilling game of cat-and-mouse once Scotland Yard sets its sights on the missing American. Feverishly directed by blacklisted, Oscar-nominated Edward Dmytryk (Crossfire, 1947), this story is truly where Kafka meets film noir.
DCP

Screenings
La La Land in 35mm
In person: choreographer Mandy Moore, music supervisor Steven Gizicki, post-production producer Jeffrey Harlacker, and stunt coordinator Mark Kubr
Selected by the Production and Technology Branch
35mm

Screenings
An Evening of Short Films from Asian American Filmmakers
Selected by the Short Films Branch
In person: filmmaker Nazrin Choudhury and Academy Governor Chris Tashima

Screenings
Being There in 35mm
Selected by the Sound Branch
In person: cinematographer Caleb Deschanel and Academy Governor Peter Devlin
35mm

Screenings
Terminator 2: Judgment Day in 4K
In person: visual effects supervisor Dennis Muren, Academy Governor Brooke Breton, and special effects creator Shane Mahan
Selected by the Visual Effects Branch
4K DCP
Supported By
This program is made possible by the Alfred P. Sloan Foundation Program in Public Understanding of Science and Technology.
Academy Museum film programming generously funded by the Richard Roth Foundation.
