6 Honda Color Correction (reel 1 cue 10)

Color is an integral component of filmmaking and one of the foundations for creating a dynamic viewing experience. 

Margaret Honda's Color Correction in 35mm

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Mike Henderson: The Blues and the Abstract Truth

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Mar4 BEHINDERT Available-Space-(1)

Three Minute Hells

Harry Gamboa Jr.

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James Benning: ALLENSWORTH

The Tawdry Visions of George and Mike Kuchar

Early and Late Brakhage: Academy Restorations

Maureen Selwood

Derek Jarman’s Blue  

Welcome to the West Coast Underground 

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So Dreamy, So Sinister: Animation by Suzan Pitt 

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Los Angeles Site Seeing: Views of the City from the Academy Film Archive

Harry Smith’s Film #18, Mahagonny

Betzy Bromberg Transparency

Afterlife by Ishu Patel

The Lateness of the Hour

March14 Narcisa Hirsch Aida 1976

Apr25 Avail Space Nao John Waters

Railway Sleepers (2016)

Kind of a Drag: Experimental Films, Documentaries, and Scratch Animation by Heather McAdams, 1980-1995

The Tube Thieves (2023)

Sep2025 Out In the Garden

Oct2025 Memories of milk city

Girls on Film: Two by Su Friedrich

  Glimmers and Ghosts: The Cinema of Tomonari Nishikawa 

  Moons Pool

Reverse Shadow 
2019. 8 min. USA. Color. Sound. Digital  

Reverse Shadow  2019. 8 min. USA. Color. Sound. Digital  

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Margaret Honda's Color Correction in 35mm

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