A Woman Is a Woman (Une femme est une femme) in 4K

A form most popular in the early 20th century, a film serial is a story told over a sequence of short episodes, with each piece intended to be viewed before a feature-length film. These bite-size programs were presented weekly in chronological order, addingentertainment and value to a program, and were a common component of the filmgoing experience through the 1940s.

A form most popular in the early 20th century, a film serial is a story told over a sequence of short episodes, with each piece intended to be viewed before a feature-length film. These bite-size programs were presented weekly in chronological order, addingentertainment and value to a program, and were a common component of the filmgoing experience through the 1940s.

“If it makes you happy to feed squirrels to the nuts, who am I to say ‘nuts to the squirrels?’”

Set in London’s high society just before World War II, this effervescent comedy of manners features Oscar-winner Jennifer Jones (The Song of Bernadette) as the uninhibited Cluny Brown, an orphan whose guardian, Uncle Arn, is training her to become a plumber. When she arrives to fix a clogged sink before a cocktail party, philosopher Adam Belinski (Charles Boyer), a noted enemy of the Third Reich, becomes smitten by her unrepressed nature and a game of will-they-or-won’t-they unfolds. Deemed a “masterwork” by comedy aficionado and filmmaker Peter Bogdanovich, this was the last film director Ernst Lubitsch completed during his lifetime, as well as Jones’s first comedic role. Offering the pinnacle of the “Lubitsch touch” through well-appointed sets, farcical misunderstandings, and delightful tête-à-têtes, Cluny Brown skewers high-brow culture with the beloved director’s signature charming wink.

Programmed and note by K.J. Relth-Miller.

Inspired to become a performer by his childhood trips to the circus, the comedic actor Paul Reubens (1952–2023) is most remembered for his beloved role as Pee-wee Herman, an intentionally oblivious, wide-eyed, bow tie–wearing jester first developed at the Los Angeles–based improv and sketch comedy troupe the Groundlings. After a series of stage shows in the early 1980s and a celebrated children’s television program on CBS, Reubens partnered with fellow Groundling Phil Hartman and screenwriter Michael Varholto bring Pee-wee to the big screen with first-time feature director Tim Burton.

In Pee-wee’s Big Adventure, the titular character’s most prized possession is his red bicycle; he refuses to sell it even to his wealthy neighbor, Francis. When the bike is suddenly stolen, Pee-wee is relentless in his search to get it back, even embarking on a road trip across the country after given a phony tip. This charmingly quirky film marked Burton’s first collaboration with composer Danny Elfman, then front man for the popular new wave band Oingo Boingo.

Programmed and note by K.J. Relth-Miller.