Exhibitions
Color in Motion: Chromatic Explorations of Cinema

Past Exhibitions

Color in Motion: Chromatic Explorations of Cinema

Oct 6, 2024–Jul 13, 2025

Level 4 (L4) presented in the Marilyn and Jeffrey Katzenberg Gallery

About the Exhibition

Color in Motion: Chromatic Explorations of Cinema investigates the role of color in film, from the scientific and technological advancements that made it possible, to its emotional and psychological impact on viewers, to the ways filmmakers use color as a storytelling tool.

The exhibition takes an immersive and innovative approach to understanding cinematic color through six unique galleries, each focusing on a different aspect of film color. Color in Motion engages visitors through dynamic, colorful film installations and features objects from the silent era through the digital age, including cameras, projectors, costumes, props, animation cels, and film posters. Object highlights include:

  • Dorothy’s ruby red slippers from The Wizard of Oz (USA, 1939)

  • A green costume worn by Kim Novak in Vertigo (USA, 1958)

  • A blue costume worn by Jamie Foxx in Django Unchained (USA, 2012)

  • The red jacket worn by Jack Nicholson in The Shining (USA, 1980)

  • A red sari worn by Aishwarya Rai Bachchan in Jodhaa Akbar (India, 2008)

  • Two-color and three-color Technicolor cameras highlighting the Technicolor II and IV processes, respectively

  • A yellow color study model of the house from Pixar’s Up (USA, 2009)

  • Original materials from Disney’s Ink & Paint Department

  • An early stencil cutting machine and stencil application machine used at Pathé studios

A Color Arcade concludes the exhibition with an opportunity for visitors to physically interact with color through physical movement, inviting them to see, create, and experience "color in motion."

"Color in Motion: Chromatic Explorations of Cinema is also accompanied by a vibrant catalogue co-published with DelMonico Books."

The exhibition is curated by Senior Exhibitions Curator Jessica Niebel with Associate Curator Sophia Serrano, Curatorial Assistant Alexandra James Salichs, and former Curatorial Assistant Manouchka Kelly Labouba.

Advisory Board: Professor Barbara Flueckiger, Professor Joshua Yumibe, Professor Ranjani Mazumdar, and Professor Kirsten Moana Thompson

MOONLIGHT (USA, 2016)
MOONLIGHT (USA, 2016)
2001 A Space Odyssey Screenshot Color in Motion
MOONLIGHT (USA, 2016)
Color spectrum of shapes
Shadows of different colors
MOONLIGHT (USA, 2016)
Book Cover

Exhibition Catalogue

Explore the Book

Discover the rich legacy of color in film with Color in Motion: Chromatic Explorations of Cinema. From early cinematic techniques to modern innovations, this essential book delves into color’s impact on storytelling and visual artistry. Published in celebration of the Academy Museum’s Color in Motion exhibition, it’s a must-read for film enthusiasts.

Related Events

Moonlight

Screenings

Moonlight

Director Barry Jenkins and playwright Tarell Alvin McCraney adapted McCraney’s unfinished play In Moonlight Black Boys Look Blue for this Best Picture–winning tale of sensitive Chiron coming of age in Miami’s violent and homophobic drug culture. A trio of actors play the protagonist at three stages of his life, and Mahershala Ali won his first Best Supporting Actor Oscar for his moving performance as the boy’s unlikely father figure. To achieve the visual language for the film, Jenkins and cinematographer James Laxton worked with digital colorist Alex Bickel to imitate different film stocks in each of the film’s sections: a Fujicolor palate for Chiron’s childhood, Agfacolor for his teenage years, and Kodak when he becomes a young adult.

DCP

Enter the Void

Screenings

Enter the Void

Shot primarily in first-person point-of-view among the dark alleys, nightclubs, and tiny apartments of Tokyo’s Kabukichō district, Gaspar Noé’s self-proclaimed “psychedelic melodrama” takes its visual cues from the director’s own experiences with hallucinogenic drugs.

DCP

Belly

Screenings

Belly

In the 1990s, the aesthetic of hip-hop was forever changed by visionary director Hype Williams, whose music videos for Busta Rhymes, Missy Elliott, LL Cool J, and dozens of other artists created an entirely new visual style. Near the end of that decade, Williams directed his only feature film, Belly, which, despite making its modest budget back at the box office threefold, was derided by critics for its complicated depictions of Black male characters. Though accused of being style over substance—the film is replete with gorgeous black- and redlight washes—contemporary audiences have embraced the film as a cult classic, reappraising it for shifting the trajectory of both hip-hop and Hollywood before the industry could see what was coming.

DCP

Solaris
Special Guest

Screenings

Solaris

In-person: Cliff Martinez

DCP

Supported By

Color in Motion: Chromatic Explorations of Cinema is among more than 70 exhibitions and programs presented as part of PST ART. Returning in September 2024 with its latest edition, PST ART: Art & Science Collide, this landmark regional event explores the intersections of art and science, both past and present. PST ART is presented by Getty. For more information about PST ART: Art & Science Collide, please visit pst.art. Generous support also provided by the Alfred P. Sloan Foundation Program in Public Understanding of Science and Technology and the Los Angeles County Board of Supervisors through the Los Angeles County Department of Arts and Culture. Additional support provided by Howard and Mirjam Berger and Emma Koss. Academy Museum Digital Engagement Platform sponsored by Bloomberg Philanthropies. Technology solutions generously provided by Christie®